The Glass family and Salinger's style of writing enticed The New Yorker's fiction editor William Maxwell and his workers. When the manuscript, The Bananafish, was originally submitted, in January 1947, the point of the story was deemed incomprehensible. At Maxwell's arguing, Salinger started to rework the piece. He added the opening section, Muriel's scene, and he crafted material that gave the reader an insight on Seymour's death. Maxwell and Salinger revised the story multiple times throughout 1947. The final story was renamed and published as A Perfect Day for Bananafish.
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